Like, really exciting.
So, the Academy Awards were Sunday, and everybody was happy with that.
I had a couple thoughts I would like to share even though I/we got tired and went to bed at approximately 9:45 on Sunday night.
I'm not really what you would consider a film connoisseur or anything of that nature, so I can't really comment on any of the films that were nominated for Best Picture. In fact, of the ones nominated we only saw Les Misérables, which of course I thought was awesome, and I'm sure my Dad agrees. If you asked him I'm sure he'd tell you it was the greatest motion picture ever made. Right up there with, I don't know, Field of Dreams. Or perhaps 1941.
(By the way, still can't get over John Travolta butchering the name of the film during his time at the microphone. Stop it. Stop talking. Did your scientology Gods tell you to say it like that? Stop it right now.)
We also saw The Impossible, and it confuses me why it wasn't even nominated for Best Picture yet made me cry more than any movie I can ever remember seeing. Probably Mel too (although she may not want to admit it).
I thought Seth MacFarlane did an above average job. Could he have been better or funnier? Sure, I guess so. But then we probably all could.
The problem with hosting the Academy Awards is its become almost a hobby to watch the show and nitpick every little thing that's done, said, or sung instead of sitting there and enjoying the monologue and the rest of the show for the giant waste of time and beating that it usually is. You can blame Twitter and the internet for that.
Anne Hathaway won Best Actress for her role in Les Miz, which I thought was very deserving. She played her heart out in that movie. Her version of "I Dreamed A Dream" gets my vote as Biggest Guts Ripping Out Performance Of The Year.
And then we went to bed. Didn't really want to stay up until 11:00 at night.
Incidentally, I was out walking the dog earlier and was listening to the Les Miz soundtrack when I came across what I consider to be among the greatest three minutes and fifty four seconds in movie soundtrack history.
(Spoiler alert: If you haven't seen the movie, and don't want me to spoil things, don't click the next two links. Pretty much just stop reading now.)
It happens maybe 20 minutes into the film when Hugh Jackman sings "Valjean's Soliloquy." Again, just another gritty and heart-wrenching performance, this time by Hugh, who has a really good voice. Here, Valjean comes to grip with the fact that he's a thief and a horrible person and it's time to change. Very awesome.
So listen to that, hear the way it ends, and then imagine it seamlessly transitioning (which I know will be hard because you'll probably get bogged down and have to fight through one of YouTube's commercials)...
A big, dramatic, swooping scene going from the past into setting up the beginning of the rest of the story.
Boy let me tell you, when we saw this and I heard those strings and that brass, that right there got me fired up for movie watching. I think I turned to Mel in the theater at TinselTown Grapevine and gave her one of those smiles and all-knowing nods the way we do right somebody hits a clutch three-run double (sports analogy).
This isn't even mentioning the opening scene of the movie, which has another moment like that as well.
That goes into "At The End Of The Day", which is an important song itself as well seeing as how it introduces everyone to Fantine and all her wheels-offedness.
(Okay, you can start reading again).
(Okay, you can start reading again).
Anyway, that's enough for now, so I think I'll take my crazy Gene Shalit costume off and wrap this thing up.
Except I'm not really sure the proper way to end this.
Here's a very stereoptyical picture of a French person.
Bye for now.